The cat demon, gender, and religious practice: Towards reconstructing a medieval Chinese cultural pattern

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2 Citations (Scopus)

Abstract

This paper examines and contextualizes rituals and beliefs surrounding the cat demon (maogui). While the demon has been briefly discussed or referenced in earlier scholarship, there as yet exists no systematic attempt to understand how it is treated in various sources. The paper-approaches the complex of practices and ideas associated with the cat demon as a unique and richly informative cultural phenomenon that is suggestive of tensions relating to gender and, class. The paper begins with a close examination of materials surrounding the most famous and well-documented case of cat demon practice, that involving Dugu Tuo, the half-brother of Empress Dugu of the Sui (Dugu Qieluo, 544-602), before turning to medico-religious approaches and, finally, to transformations of the supernatural or demonic cat in post-Tang materials.

Original languageEnglish (US)
Pages (from-to)689-707
Number of pages19
JournalJournal of the American Oriental Society
Volume135
Issue number4
StatePublished - Oct 1 2015

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gender
religious behavior
examination
Demons
Religious Practices
Medieval Period
Cultural Phenomena
Religion
Brothers
Supernatural

ASJC Scopus subject areas

  • Arts and Humanities(all)
  • Cultural Studies

Cite this

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abstract = "This paper examines and contextualizes rituals and beliefs surrounding the cat demon (maogui). While the demon has been briefly discussed or referenced in earlier scholarship, there as yet exists no systematic attempt to understand how it is treated in various sources. The paper-approaches the complex of practices and ideas associated with the cat demon as a unique and richly informative cultural phenomenon that is suggestive of tensions relating to gender and, class. The paper begins with a close examination of materials surrounding the most famous and well-documented case of cat demon practice, that involving Dugu Tuo, the half-brother of Empress Dugu of the Sui (Dugu Qieluo, 544-602), before turning to medico-religious approaches and, finally, to transformations of the supernatural or demonic cat in post-Tang materials.",
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