Valeurs nationales et valeurs théâtrales. La bataille du Siège de Calais (1765)

Translated title of the contribution: National values and theatrical values. The battle of the Siège de Calais (1765)

Research output: Contribution to journalArticle

Abstract

This article underscores the complex relationship between national concerns and dramatic criticism by interrogating the role of theatre in the creation of a 'national culture' during the last few decades of the Ancien régime. The author focuses more specifically on the forms of patriotism proposed by Pierre-Laurent De Belloy, author of Le Siège de Calais, France's "first tragedy in which the nation is given the pleasure to take an interest in itself," as well as by his adversaries and his allies. The version of patriotism proffered by De Belloy - a 'fatherland' that he defines as both bourgeois and monarchical - renders problematic several aesthetic and political norms in place in 1765. The author thus responds modestly to one of the most essential questions posed by research on eighteenth-century political and cultural history: how did patriotism operate before the French Revolution?.

Original languageFrench
Pages (from-to)87-96
Number of pages10
JournalRevue d'Histoire du Theatre
Issue number1
StatePublished - Jan 1 2014
Externally publishedYes

Fingerprint

Patriotism
Calais
Render
Aesthetics
Allies
French Revolution
Pleasure
National Cultures
Fatherland
Cultural History
Criticism
France
Tragedy
Political History

ASJC Scopus subject areas

  • Visual Arts and Performing Arts
  • Literature and Literary Theory

Cite this

Valeurs nationales et valeurs théâtrales. La bataille du Siège de Calais (1765). / Connors, Logan.

In: Revue d'Histoire du Theatre, No. 1, 01.01.2014, p. 87-96.

Research output: Contribution to journalArticle

@article{fe37d27aa2d146ebabe6d8d9b43d2407,
title = "Valeurs nationales et valeurs th{\'e}{\^a}trales. La bataille du Si{\`e}ge de Calais (1765)",
abstract = "This article underscores the complex relationship between national concerns and dramatic criticism by interrogating the role of theatre in the creation of a 'national culture' during the last few decades of the Ancien r{\'e}gime. The author focuses more specifically on the forms of patriotism proposed by Pierre-Laurent De Belloy, author of Le Si{\`e}ge de Calais, France's {"}first tragedy in which the nation is given the pleasure to take an interest in itself,{"} as well as by his adversaries and his allies. The version of patriotism proffered by De Belloy - a 'fatherland' that he defines as both bourgeois and monarchical - renders problematic several aesthetic and political norms in place in 1765. The author thus responds modestly to one of the most essential questions posed by research on eighteenth-century political and cultural history: how did patriotism operate before the French Revolution?.",
author = "Logan Connors",
year = "2014",
month = "1",
day = "1",
language = "French",
pages = "87--96",
journal = "Revue d'Histoire du Theatre",
issn = "1291-2530",
publisher = "Societe d'histoire du Theatre",
number = "1",

}

TY - JOUR

T1 - Valeurs nationales et valeurs théâtrales. La bataille du Siège de Calais (1765)

AU - Connors, Logan

PY - 2014/1/1

Y1 - 2014/1/1

N2 - This article underscores the complex relationship between national concerns and dramatic criticism by interrogating the role of theatre in the creation of a 'national culture' during the last few decades of the Ancien régime. The author focuses more specifically on the forms of patriotism proposed by Pierre-Laurent De Belloy, author of Le Siège de Calais, France's "first tragedy in which the nation is given the pleasure to take an interest in itself," as well as by his adversaries and his allies. The version of patriotism proffered by De Belloy - a 'fatherland' that he defines as both bourgeois and monarchical - renders problematic several aesthetic and political norms in place in 1765. The author thus responds modestly to one of the most essential questions posed by research on eighteenth-century political and cultural history: how did patriotism operate before the French Revolution?.

AB - This article underscores the complex relationship between national concerns and dramatic criticism by interrogating the role of theatre in the creation of a 'national culture' during the last few decades of the Ancien régime. The author focuses more specifically on the forms of patriotism proposed by Pierre-Laurent De Belloy, author of Le Siège de Calais, France's "first tragedy in which the nation is given the pleasure to take an interest in itself," as well as by his adversaries and his allies. The version of patriotism proffered by De Belloy - a 'fatherland' that he defines as both bourgeois and monarchical - renders problematic several aesthetic and political norms in place in 1765. The author thus responds modestly to one of the most essential questions posed by research on eighteenth-century political and cultural history: how did patriotism operate before the French Revolution?.

UR - http://www.scopus.com/inward/record.url?scp=84899853380&partnerID=8YFLogxK

UR - http://www.scopus.com/inward/citedby.url?scp=84899853380&partnerID=8YFLogxK

M3 - Article

AN - SCOPUS:84899853380

SP - 87

EP - 96

JO - Revue d'Histoire du Theatre

JF - Revue d'Histoire du Theatre

SN - 1291-2530

IS - 1

ER -