Multichannel audio in electroacoustic music: An aesthetic and technical research agenda

Colby Leider

Research output: Chapter in Book/Report/Conference proceedingConference contribution

3 Scopus citations

Abstract

Multichannel audio is becoming increasingly important to musicians, particularly those who use the studio as a musical instrument to create, process, and mix music. This paper presents a broad overview of the aesthetic and technical challenges that composers of electroacoustic music face by weaving historical context along with a discussion of some of the artistic concerns and scientific hurdles encountered by many within this community when working with surround audio content.

Original languageEnglish (US)
Title of host publicationProceedings of the 2007 IEEE International Conference on Multimedia and Expo, ICME 2007
Pages1890-1893
Number of pages4
StatePublished - Dec 1 2007
EventIEEE International Conference onMultimedia and Expo, ICME 2007 - Beijing, China
Duration: Jul 2 2007Jul 5 2007

Publication series

NameProceedings of the 2007 IEEE International Conference on Multimedia and Expo, ICME 2007

Other

OtherIEEE International Conference onMultimedia and Expo, ICME 2007
CountryChina
CityBeijing
Period7/2/077/5/07

ASJC Scopus subject areas

  • Computer Graphics and Computer-Aided Design
  • Software

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  • Cite this

    Leider, C. (2007). Multichannel audio in electroacoustic music: An aesthetic and technical research agenda. In Proceedings of the 2007 IEEE International Conference on Multimedia and Expo, ICME 2007 (pp. 1890-1893). [4285044] (Proceedings of the 2007 IEEE International Conference on Multimedia and Expo, ICME 2007).