Comparing situated and simulated learning approaches to developing culturally responsive music teachers

Carlos Abril, Nicole R. Robinson

Research output: Contribution to journalArticle

Abstract

The purpose of this study was to examine the impact of two distinct learning approaches to preparing culturally responsive music teachers. In this article we will describe the two different learning experiences, one in a graduate-level course and another as part of a preservice music teacher professional development session, and interpret the impact of these two approaches on music teachers’ observations and thinking regarding others, themselves, sociocultural issues, and teaching practice. Preservice and experienced music teachers were asked to reflect on their experiences resulting from one of two learning experiences—simulated or situated. We analyzed their reflections using grounded theory techniques. Five themes emerged from this analysis: (a) observations of diversity and difference; (b) awareness of intersections; (c) awareness of macro structures of power; (d) feelings of “otherness” and empathy; and (e) social agency and application. Despite the differing learning approaches applied, both experiences moved teachers beyond singular and simplistic notions of culture and diversity, towards understandings of intersections, structure, and power, as well social action and agency.

Original languageEnglish (US)
JournalInternational Journal of Music Education
DOIs
StatePublished - Jan 1 2019

Fingerprint

music teacher
social agencies
learning
reflection theory
experience
distribution of power
foreignness
empathy
grounded theory
teaching practice
graduate
Music Teacher
teacher

Keywords

  • cultural diversity in music education
  • culturally responsive pedagogy
  • multicultural education
  • music teacher education
  • professional development
  • social justice education

ASJC Scopus subject areas

  • Education
  • Music

Cite this

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